Wednesday, December 10, 2008

Retrospective: The Birth of "Gun-Fu"


In some of the research papers that I've come across using some bioinformatics techniques, analyses focus on isolating "nodes" or key proteins or genes that are key regulators of series of transduction or regulatory pathways. By isolating these nodes researchers can get a clearer view of how various mechanisms are interrelated and more greatly appreciate the functions of various factors. Though a far cry away from bioinformatics, within the world of film A Better Tomorrow is, quite simply put, a critical node in the development of the action genre. I bring this film up in particular because I was just discussing it with some friends with reference to the films of some other "greats" such as Jean-Claude Van Damme. So how exactly is this 1986 Hong-Kong film at the root of some of today's most influential and popular films?

Well for starters, up until the release of ABT Chinese-imported films were on the map pretty much because of one man and the genre he defined: Bruce Lee and the kung-fu flick. Outside of that genre however, America (probably for good reason) had little interest in anything else from across the ocean. That is, until director John Woo came along. Woo drew from and updated diverse influences, be they the hardboiled detectives of film noir such as Sam Spade, classic Chinese tropes such as heroic bloodshed, the gangster flicks of Martin Scorsese, or the kung-fu film itself. By switching out physcial prowess for pistols and explosions, however, Woo founded a new genre of film, gun fu, and a modern age of action films was born.

So where would we be without ABT? Well, there would be no international moviestar Chow Yun Fat and who knows if Crouching Tiger could have been the same otherwise. Woo's career wouldn't have taken off either, as he went on the make several other HK classics such as Hardboiled and The Killer, and also American hits such as Face-Off and Mission Impossible-II. The revenge genre would not have arisen, meaning no Oldboy for Park Chan-wook or Mexico Trilogy (or breakthrough) for Roberto Rodriguez. Without the bullet flying and gun-toting antics of Fat and his costars, the inspirations behind the fight choreography behind pivotal films such as The Matrix would be absent as well (let's add the careers of Keanu Reeves and Larry and Andy Wachowski for good measure too). The film once again made HK and Chinese film cool and paved the way for the re-emergence of classical kung fun films such as Jet Li's Once Upon a Time in China and Jackie Chan's Rumble in the Bronx. As the film no doubt opened the way for other HK gangster flick's such as Infernal Affairs, without ABT we also would never have had The Departed, or for that matter Marty still would be Oscar-less.

I could go on, really, but I think enough is enough. Watch the clip below to see the scene that in my opinion redefined a generation of action films.



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